Japanese Film

Kikujiro: el héroe bufón.

Film Studies / Film Theory / Literature and cinema / Film Analysis / Philosophy of Film / Japanese Film / Film History / Cinema / Film Aesthetics / Film / Takeshi Kitano / Cinema Studies / Película Cinematográfica / Japanese Film / Film History / Cinema / Film Aesthetics / Film / Takeshi Kitano / Cinema Studies / Película Cinematográfica

El hombre importante. Toshiro Mifune en México

Japanese Studies / Film Studies / Mexican Studies / Japanese Cinema / Japanese Film / Mexican Cinema

Naomi Kawase - Saber acariciar la pérdida

Japanese Studies / Film Studies / Japanese Film / Japanese Culture / Film Aesthetics / Film and Media Studies / Naomi Kawase / Women filmmakers / Japanese Cinema, animation, women directors / Film and Media Studies / Naomi Kawase / Women filmmakers / Japanese Cinema, animation, women directors

Diosas fantasmales en el cine japonés

Japanese Studies / Japanese Religions / Japanese Film / Japanese Period Films / Japanese Period Film / Japanese Culture / Japanese Popular Culture / Japanese Horror film / Japanese film history / Japanese silent film / Contemporary Japanese Film / Japanese Culture / Japanese Popular Culture / Japanese Horror film / Japanese film history / Japanese silent film / Contemporary Japanese Film

La reescritura del cine japonés contemporáneo en la crítica española. Observaciones desde los márgenes del polisistema cinematográfico

Japanese Studies / Film Studies / Comedy / Reception Theory / Japanese Anime / Japanese Cinema / Gender / Japanese Film / Film History / Japanese Period Films / Japanese Period Film / Gender and Cinema / Japanese Popular Culture / Authorship / Japanese Horror film / Film and Media Studies / Samurai films / Film Criticism / Cinema Studies / Género / Film and Television Comedy / Anime / Rewriting / Anime Studies / Contemporary Cinema / Reescritura / Comedia / Japanese Cinema, animation, women directors / Japanese culture. Anime and manga. / Recepción / Comédia / Contemporary Japanese Cinema / Crítica Cinematográfica / Autoria / Jidaigeki / Teorías de la recepción / Polysystem Theory / Recepción Ficción Audiovisual / Polisistemas / Gender and Film / Cine Japonés / Japanese Horror Cinema / J-horror / Japanese Comedy Films / Teoría de los Polisistemas / Chanbara or Samurai Cinema / Comedia cinematográfica / Cine de animación / Cine Japonés Contemporáneo / Japanese Cinema / Gender / Japanese Film / Film History / Japanese Period Films / Japanese Period Film / Gender and Cinema / Japanese Popular Culture / Authorship / Japanese Horror film / Film and Media Studies / Samurai films / Film Criticism / Cinema Studies / Género / Film and Television Comedy / Anime / Rewriting / Anime Studies / Contemporary Cinema / Reescritura / Comedia / Japanese Cinema, animation, women directors / Japanese culture. Anime and manga. / Recepción / Comédia / Contemporary Japanese Cinema / Crítica Cinematográfica / Autoria / Jidaigeki / Teorías de la recepción / Polysystem Theory / Recepción Ficción Audiovisual / Polisistemas / Gender and Film / Cine Japonés / Japanese Horror Cinema / J-horror / Japanese Comedy Films / Teoría de los Polisistemas / Chanbara or Samurai Cinema / Comedia cinematográfica / Cine de animación / Cine Japonés Contemporáneo

No existe el estilo de terror japones, es sólo un mito propagandistico. Un análisis sobre la película “The Ring”. ISSN1003-854X 没有“日本恐怖电影”这种 类型 关于 《午夜凶铃》 的电影分析 (乔西 复旦大学博士论文)

Asian Studies / Japanese Studies / Southeast Asian Studies / Film Studies / Film Theory / Chinese Studies / Japanese Language And Culture / Film Analysis / Documentary (Film Studies) / Philosophy of Film / Horror Film / Japanese Cinema / Asian Film / Japanese Film / Asian-American Film / Gothic Fiction and the horror film / Japanese Period Film / Horror Cinema / Documentary Film / Film Aesthetics / Film / Asian Horror Film / Japanese Horror film / Film and Media Studies / Asian Film Studies / Horror Literature / Horror films / Films / Horror Studies / The Fantastic in Modern East Asian Literature and Film / East Asian Film and Visual Studies / Horror / South Asian Studies, Urban Studies, Film and History / Gothic, female Gothic, Gothic in literature, the Gothic as a subculture, the fantastic, horror, the vampire figure in literature and film, the femme fatale, feminist readings of vampire narratives / Fashion in Japanese Movies / Watching movies / Chinese Language Media and Film East Asian Popular Culture Stardom and Celebrity Culture, Mediasphere in Shanghai, New Urban Culture in Postsocialist China / South Asian Film Studies / Japanese film history / Post-war Japanese Cinema / Asian Horror Movie / Japanese Horror Cinema / Japanese cinema and visual culture / Films Maker. Japanese Cinema / East Asian Film Festival / 复旦大学文章 / 复旦大学新闻系 / Jossalberto / 乔西 / 乔西复旦大学 / 复旦大学乔西 / 复旦大学电影系 / 复旦大学博士文章 / 复旦大学博士论文 / 复旦大学影视文学 / Chinese Studies / Japanese Language And Culture / Film Analysis / Documentary (Film Studies) / Philosophy of Film / Horror Film / Japanese Cinema / Asian Film / Japanese Film / Asian-American Film / Gothic Fiction and the horror film / Japanese Period Film / Horror Cinema / Documentary Film / Film Aesthetics / Film / Asian Horror Film / Japanese Horror film / Film and Media Studies / Asian Film Studies / Horror Literature / Horror films / Films / Horror Studies / The Fantastic in Modern East Asian Literature and Film / East Asian Film and Visual Studies / Horror / South Asian Studies, Urban Studies, Film and History / Gothic, female Gothic, Gothic in literature, the Gothic as a subculture, the fantastic, horror, the vampire figure in literature and film, the femme fatale, feminist readings of vampire narratives / Fashion in Japanese Movies / Watching movies / Chinese Language Media and Film East Asian Popular Culture Stardom and Celebrity Culture, Mediasphere in Shanghai, New Urban Culture in Postsocialist China / South Asian Film Studies / Japanese film history / Post-war Japanese Cinema / Asian Horror Movie / Japanese Horror Cinema / Japanese cinema and visual culture / Films Maker. Japanese Cinema / East Asian Film Festival / 复旦大学文章 / 复旦大学新闻系 / Jossalberto / 乔西 / 乔西复旦大学 / 复旦大学乔西 / 复旦大学电影系 / 复旦大学博士文章 / 复旦大学博士论文 / 复旦大学影视文学

Tokyo: Quarantine to Corporeal Engagement

Architecture / Film Studies / Film Analysis / Japanese Film / Film and Architecture / Tokyo

Padres ausentes: el cine de Kore-eda Hirokazu

Film Theory and Practice / Film Studies / Film Theory / Film Analysis / Film Genre / Japanese Film / Film History / Film Aesthetics / Film / Fatherhood / Film and Media Studies / Film Editing / Father-Infant Attachment / Textual analysis / Koreeda Hirokazu / Japanese film history / Hirokazu Koreeda / Contemporary Japanese Film / Japanese Film / Film History / Film Aesthetics / Film / Fatherhood / Film and Media Studies / Film Editing / Father-Infant Attachment / Textual analysis / Koreeda Hirokazu / Japanese film history / Hirokazu Koreeda / Contemporary Japanese Film
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